Stephen Thompson

Most music-industry awards shows hand out armloads of trophies, but the Americana Music Association only gives out six. Besides a handful of lifetime achievement awards — which, for this year, have yet to be announced — the only categories are for best album, artist, duo/group, emerging artist, song and instrumentalist.

Frightened Rabbit singer Scott Hutchison, whose bleak but often triumphantly arranged rock songs tackled depression, anxiety and self-doubt, was found dead at Port Edgar near South Queensberry, Scotland, around 8:30 p.m. local time on Thursday, Edinburgh Police confirmed in a statement provided to NPR. He was 36.

Last year, NPR Music and NPR member stations across the country launched a new series called Slingshot designed to boost the careers of up-and-coming public radio favorites. Since the beginning of 2018, 22 new Slingshot artists have been announced. Many of them are about to head to Austin, Texas, for next week's South By Southwest Music Festival. To preview the big event, here are a few artist recommendations from the Slingshot series.

The Austin 100

Mar 1, 2018

In the middle of every March, the SXSW Music Festival fills Austin, Texas, with thousands of musicians from around the world. It's a marathon so daunting — it's a marathon and a sprint, really — that even longtime SXSW veterans need a hand winnowing the festival's countless discoveries down to digestible doses.

That's where The Austin 100 comes in. Handpicked from thousands of bands playing at this year's festival, these 100 songs highlight the best SXSW 2018 has to offer — songs from around the world, across a broad spectrum of genres, sounds and styles.

The trajectory of the night said it all. The 60th Grammy Awards opened Sunday with the promise of an explosive performance by apparent frontrunner Kendrick Lamar, punctuated by superstar cameos (U2, Dave Chappelle) and a heady cocktail of grit and visual imagination. The show closed with the completion of the least exciting possible sweep, as Bruno Mars — a gamely appealing pop star whose funky but lightweight jams peppered radio playlists all year — won Album Of The Year (for 24K Magic), Record Of The Year (for "24K Magic") and Song Of The Year (for "That's What I Like").

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ARI SHAPIRO, HOST:

Tom Petty wrote a lot of hits during his more than 40 years making music.

(SOUNDBITE OF SONG, "AMERICAN GIRL")

TOM PETTY: (Singing) Well, she was an American girl.

(SOUNDBITE OF SONG, "REFUGEE")

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KELLY MCEVERS, HOST:

And now a goodbye to the Warped Tour.

(SOUNDBITE OF SONG, "THE ROCK SHOW")

BLINK-182: (Singing) I couldn't wait for the summer and the Warped Tour. I remember it's the first time that I saw her there.

Tom Petty's recorded legacy spans nearly 50 years — from classic-rock standards to deep cuts that hit hard. His songs are wired into the American cultural psyche, whether they soundtracked a misspent youth, accompanied a few decades' worth of love and loss, or merely popped up in an unforgettable moment from Jerry Maguire. Petty's music has been everywhere, which means it's meant something to just about everyone.

For such an unassuming rock star, Tom Petty sure got to live a lot of lives.

When Leon Russell died last November, the 74-year-old star was recuperating from heart surgery and itching to get back out on the road. So it's no surprise that Russell — whose music fused soul, rock, gospel and country — left behind an impressive batch of songs that hadn't yet seen release. On Friday, 10 months after his death, On a Distant Shore continues a recorded legacy that hasn't dimmed.

Awards shows often mirror current events, from politically pointed acceptance speeches to winners whose subject matter feels especially relevant in the moment. The 69th Emmy Awards, held Sunday night, didn't skimp on either, as The Handmaid's Tale, Saturday Night Live and Veep posted strong — even dominant — showings over the course of the night.

David Simon and George Pelecanos made The Wire and Treme together, among other shows, and now they've teamed up to create The Deuce, a new HBO drama about prostitution and the rise of the porn industry in New York's Times Square. Set in 1971, when prostitution took place out in the open on Times Square's grubby streets, the show stars Maggie Gyllenhaal, James Franco (as twins!) and a huge cast of character actors who help form an ambitious web of stories. It's a lot to take in, and the first eight-episode season — which premiered Sept.

MTV is the TV network most widely associated with short attention spans. So it makes sense that its Video Music Awards would function as a jarring and disjointed jumble of moments — a howl of protest followed immediately by a singer's tears of joy, or a heartfelt speech by a grieving mother giving way to a performance of "Da Ya Think I'm Sexy" by Rod Stewart and DNCE. In such a barrage, it's unfair to expect any one performance, speech or spectacle to rise above the others, especially as the telecast stretched past three hours.

Let's get one issue out of the way up front: MTV is never again going to build its programming around music videos. For that, viewers have YouTube — as well as MTV's lower-stakes spinoff channels — and besides, if you're old enough to remember when MTV's programming revolved around videos, then you're almost certainly too old for MTV to care what you think.

From 1978 to 2006, Cat Stevens was absent from the secular music world, a long-but-temporary retirement motivated by his conversion to Islam. In the decade since his return, he's sounded musically reinvigorated in songs that only magnify the philosophical reflection that's marked his music since the beginning.

Rufus Wainwright has always been keen to tackle the classics — this is, after all, a guy whose most recent album, 2016's Take All My Loves, reinterprets Shakespeare sonnets — and his stylistic palette has remained broad enough to encompass, among many other things, an opera.

Kendrick Lamar's victory lap continues. The rapper closed the first weekend of the Coachella Valley Music and Arts Festival Sunday night — like most Coachella performers, he'll return at the same time next weekend — with a set that blew through social media thanks to live-streaming and widespread interest in his new material.

Maybe you heard it too: murmurs of a "new Beyoncé song," accompanied by whatever it is that gasping and genuflecting sounds like when transmitted via Twitter and Facebook, then the purr of a song playing through the headphones of the devoted everywhere, begun, as in a round, at slightly different moments.

My Twitter feed is still roiling. As I write this, it's been mere moments since my friends and colleagues (and a few assorted celebrities) started taking a break from praising the 2017 Grammys' most vital and viral performances — A Tribe Called Quest, Beyoncé, The Time, a bonkers Lady Gaga-Metallica mashup — to fume about Adele's sweep of the night's top three prizes.

Like many awards shows, the Grammys are about more than just honoring artistic achievement: They're also about anointing ambassadors for a music industry that's forced to evolve as quickly and constantly as trends and technology mandate. Of course, the awards also attempt to represent dozens of far-flung genres, from traditional pop to EDM to country to jazz to Latin music to classical to rap and beyond.

You'd be forgiven for viewing nominations for the 59th Grammy Awards, announced Tuesday morning, as a battle between two powerhouse singers: Beyoncé, whose Lemonade leads the field with nine, and Adele, whose 25 has been a sales juggernaut since its release late last year.

The twists and turns of the 2016 election — not to mention the characters at the top of each major-party ticket — provide many opportunities for comedy. But it's tough out there for late-night joke-makers, who face more competition than ever, not to mention a social-media landscape in which seemingly every possible quip is being made in real time.

Since 1984, MTV has given out awards to honor achievements in the world of music videos.

In honor of MTV's 35th birthday Monday, the network has launched MTV Classic, a new channel featuring programming from the '90s and '00s. On the same day, we also wish a happy birthday to NPR Music and Pop Culture Happy Hour's Stephen Thompson, who celebrates with an interview on All Things Considered about how MTV Classic is redefining which popular culture fits into the current environment for nostalgia.

Over on cable TV and streaming services, summertime doesn't mean an end to critically heralded programming, as evidenced by the recent return of Mr. Robot (on the USA Network) and the launch of Stranger Things (on Netflix). But over on the major networks, lighter fare still dominates, which brings us to ABC's recently launched reboot of the vintage game shows $100,000 Pyramid and Match Game.

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