Here's the thing about There There, the debut novel by Native American author Tommy Orange: Even if the rest of its story were just so-so — and it's much more than that — the novel's prologue would make this book worth reading.
"I want to know who you are and how you came to be a slave." That was one of the first questions that Zora Neale Hurston asked 86-year-old Cudjo Lewis when she traveled from New York to Mobile, Ala., to interview him in the summer of 1927.
Back in the late 1980s, when I was first starting out as a critic for The Village Voice, one of the books I was assigned was Laura Shapiro's Perfection Salad, a social history of the home economics movement during the turn of the last century.
Utopian communities don't fare much better in fiction than they do in real life. As the plot usually unfolds, a brave new world loses its luster fast when the failings of its founder are exposed, or when the community itself begins to morph into a cult.
As America's population ages, we're going to be seeing a lot more of these kinds of books: I'm talking about memoirs, written by adult children, about the extreme adventures of caring for and reconnecting with their elderly parents.
There's so much to like about the classy Last Interview series, but one of the things I now like best about it is the heavenly trio who was recently added to the line-up: Ernest Hemingway, Philip K. Dick, and Nora Ephron.
Clive James' most anthologized poem is commonly known by its first two lines: "The Book of My Enemy Has Been Remaindered/And I Am Pleased." Those lines tell the uninitiated almost all they need to know about the pleasures to be found in reading James: chief among them, his wit and his appreciation of the underlying absurdity of so much literary effort — including his own.