Leah Donnella

Leah Donnella is a news assistant on NPR's Code Switch team, where she primarily blogs and assists with the Code Switch podcast production.

Donnella originally came to NPR in September 2015 as an intern for Code Switch. Prior to that, she was a summer intern at WHYY's Public Media Commons, where she helped teach high school students the ins and outs of journalism and film-making. She spent a lot of time out in the hot Philly sun tracking down unsuspecting tourists for man-on-the-street interviews. Donnella also worked at the University of Pennsylvania for two years as the House Coordinator at Gregory College House, which is the University of Pennsylvania's language and cinema-themed dorm.

Donnella graduated from Pomona College with a Bachelor of Arts in Africana Studies.

Each week on "Ask Code Switch," we tackle your trickiest questions about race. This time, we're unpacking that old nursery rhyme: First comes love, then comes a heated discussion of unconscious bias, then comes a baby in a baby carriage.

Katie from Wilmington, Del., asks:

This viral video out of Hollywood raises an interesting question: What does racism look like from one Latino to another?

Welcome back to Ask Code Switch, a segment where we dissect your trickiest questions about race. This week, we're tackling one version of a question that we hear all the time: What do you do when people just won't stop making assumptions about you because of how you look?

Franchesca in San Francisco writes:

As the debate rages over what role Confederate monuments do — and should — play in commemorating U.S. history, Jennifer Allen says we can learn a lot from Germany.

Allen is an assistant professor of German history at Yale University, and she specializes in something called memory politics.

Well, we asked and then you asked. Over the past couple of weeks, dozens of you have responded to our call out — we've gotten letters from all over the country about the complex racial situations people find themselves in.

Our goal? Offer up some advice on America's race problems — from the merely awkward to the downright inappropriate — with a thing we're calling 'Ask Code Switch.'

Jared Taylor was not in Charlottesville, Va., on Saturday. But Taylor, one of the leading voices for white rights in the country, says it was clear what really happened at that rally.

Imagine finding out one day that many of the stories that you told about yourself weren't really true. The way you understood your family history, the way you explained your personality ("I'm Italian, of course I talk loud!"), the way you talked about your hair — what if all of it was just, well, stories?

Or maybe even stranger: What if you found out that you had a whole hidden history that you'd never known about? That generations of your family had lived through events that you had no idea you were connected to?

Would that change who you are?

One year ago, Barack Obama was winding down his final term and Donald Trump was ... a candidate for president?

Editor's Note: This piece contains language that some may find offensive.

It's Flag Day! On this week's podcast, we explore the ways that communities of color in the United States relate to the Stars and Stripes.

And we thought it worth a few moments to celebrate a flag created nearly a century ago for black Americans.

It's tricky to nail down exactly what makes someone feel like a "racial impostor." For one Code Switch follower, it's the feeling she gets from whipping out "broken but strangely colloquial Arabic" in front of other Middle Easterners.

For another — a white-passing, Native American woman — it's being treated like "just another tourist" when she shows up at powwows. And one woman described watching her white, black and Korean-American toddler bump along to the new Kendrick and wondering, "Is this allowed?"

Ask some actors about their dream role, and they're likely to offer range of answers: a character from Shakespeare, a superhero, the lead in Phantom of the Opera. As for Daniel Dae Kim, a Korean-American actor who has had roles in Lost, Crash and most recently Hawaii Five-0, his dream is to play a romantic lead. Any romantic lead.

Lots of people pay traffic fines, but not everyone is affected the same way. According to a new report from the Lawyers' Committee for Civil Rights of the San Francisco Bay Area, traffic fines in California have an outsize effect on low-income drivers and people of color. And those consequences are not just monetary. Unpaid tickets can result in additional fines. Failure to pay those fines can lead to suspension or loss of license, and even jail time for some if they continue to drive without a license.

In some ways, Yara Shahidi is a lot like Zoey Johnson, the character she plays on ABC's comedy Black-ish. Shahidi, like Johnson, is a 17 year old high school student with several younger siblings, so the two have hit some of the same social and familial milestones at the same time.

When Prince first signed with Warner Bros. Records, he didn't want to be categorized as a black musician. This was the late 1970s, before music by black artists was widely marketed to multiracial audiences; before kids in every household in America were glued to their screens watching "Thriller" on MTV.

If you had to rank Harriet Tubman and Kanye West in order of blackness, who would be first? Who's blacker, Malcolm X or Martin Luther King Jr.?

Two decades ago only about 9 percent of children's books published in the U.S. were about people of color. Things have changed since then, but not by much.

On Wednesday, the Cooperative Children's Book Center at the University of Wisconsin, Madison's Education School revealed that in 2016, it counted 427 books written or illustrated by people of color, and 736 books about people of color out of about 3,400 books it analyzed. That adds up to 22 percent of children's books.

On Jan. 25, President Trump signed an executive order instructing construction to begin on a wall along the U.S.-Mexico border. Environmentalists and civil rights activists say the proposed wall on the southern border with Mexico is a threat to the environmental rights of the people who live on both sides of the border.

This April, Code Switch will celebrate its fourth birthday! For the past four years, we've brought you radio stories and blog posts. We've connected with you on social media. We've read your sometimes adoring, sometimes enraged emails. And last May, we (finally) launched the Code Switch podcast, where Shereen and Gene explore the fascinating ways that race, culture and identity intersect with the news.

Ben's Chili Bowl, a D.C. restaurant famous for its half-smokes, celebrity drop-ins, and ties to the civil rights movement, is preparing for some redecorating. This week, the restaurant painted over the giant mural of Bill Cosby, Donnie Simpson, Chuck Brown and President Barack Obama that has lived on its outside walls since 2012.

Opponents who spent months resisting the Dakota Access Pipeline were disheartened by President Trump's decision Tuesday to "expedite" construction of the controversial project. Dave Archambault, the chairman of the Standing Rock Indian Reservation, called the move "reckless and politically motivated." Jamil Dakwar of the American Civil Liberties Union said it was "a slap in the face to Native Americans." Earthjustice, the law firm that represents the Standing Rock Sioux Tribe, described it as "legally questionable at best" and vowed to take the Trump administration to court.

Shelly Fields is a 46-year-old white woman living in Richton Park, a racially diverse Chicago suburb. She says she's raised her four daughters, who are biracial, to see people of all races as equal, just as her parents raised her. Fields doesn't think that racism will ever disappear completely, but she's hopeful that it lessens with each passing generation.

"The more biracial children there are, the more equality we see," Fields said. "The more people of color we see in positions of power – it will help to change the way people see race."

As resistance to the Dakota Access Pipeline in Standing Rock, N.D., concludes its seventh month, two narratives have emerged:

  1. We have never seen anything like this before.
  2. This has been happening for hundreds of years.

Both are true. The scope of the resistance at Standing Rock exceeds just about every protest in Native American history. But that history itself, of indigenous people fighting to protect not just their land, but the land, is centuries old.

Randall Stephenson, the CEO of AT&T, has been making headlines of late with his proposed $85 billion merger with Time Warner. But just before those plans were announced last month, Stephenson raised eyebrows for another reason. In a room full of AT&T employee support groups, Stephenson gave an impassioned speech on race relations.

It's easy to believe in a definitive American immigration story. So much of this country's mythos is built on that idea. ("Give me your tired, your poor, your huddled masses yearning to breathe free ...") It foretells a fairy tale ending where parents have worked hard, sacrificed much, and settled their children into the new country. The family has assimilated, and the life that came before is a distant memory.

But it's more complicated than that. The telling of immigration stories exposes a rich array of experiences: loss, longing, duality, triumph and contradiction.

Last time I worshipped in a synagogue was Sept. 5, 2014. And I won't be going today.

That might surprise my friends, who put up with my bragging ad nauseam about how Jewish I am.

When she was growing up, Dina Gilio-Whitaker was constantly asked, "How much Indian blood do you have?" She could never figure out how to respond, which is not to say she didn't know who she was.

"I knew that I was Native, I knew that I was Colville, I knew my family up there on the reservation," she said recently. "But what I grew up with was a process of not being seen and not being recognized as being Native, because I was completely out of context.

This week, the Code Switch team tackled this question: What do you do when a friend, loved one or stranger makes a comment that falls somewhere on the racism spectrum? On the blog and on the podcast, we and friends of Code Switch shared stories about those uncomfortable moments and how we reacted.

"Tupac wasn't cool."

It felt sacrilegious to even hear my brother say those words the other day, but I knew instantly that it was true.

David and I were little kids when Tupac Shakur died. That was 20 years ago. We were stunned by the drive-by in Las Vegas; the four gunshot wounds; Pac's death on Friday the 13th.

The Camp of the Sacred Stone is full of all manner of people — kids, elders, lawyers, laid-back hippies, and representatives of several Native American tribes — all gathered alongside the Standing Rock Sioux Nation to resist construction of a controversial oil pipeline that would cut across the American heartland.

Early Sunday evening, news broke that Juan Gabriel, one of the most famous Mexican singers in history, had died at age 66. At dinner, my friend and colleague Adrian Florido spread the word, explaining just how huge a superstar Juan Gabriel is. "This is the biggest loss in Mexican music since Selena," Adrian said. "He was universally beloved. There is no one in Mexico who isn't a fan."

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